Crafts

Ernst Ludwig Kirchner regarded the picture and its frame as a unit. Contrary to Kirchner’s intention that they belong together, over the years some paintings were separated from their original frames. In the present publication they are reunited in a remarkable exhibition, allowing us to rediscover a chapter of modernism which has often been overlooked.

"Gothic Modern" illuminates the pivotal discovery of medieval Gothic art for Edvard Munch, Käthe Kollwitz and their artist contemporaries. It explores their deep attraction to the Gothic art of Europe’s north and German lands via paintings, prints and in other artistic media to imagine a new ‘Gothic modernity’, unlocking a different energy of modern art and creative experiment beyond nation-centric stories.

Gunta Stölzl (1897–1983) and the Swiss artist Johannes Itten (1888–1967) were Bauhaus teachers who met in the experimental field at important stages of their biographies from their time at the Bauhaus in Weimar until well into the 1960s. This volume assembles in picturesque detail their impressive contributions to the art of textile design.

Sensuous, bold and topical – this volume with its varied illustrations studies the entire spectrum of Jewish ideas about sexuality. In doing so it examines widely-held and contradictory stereotypes, according to which Jewish tradition either supports sexuality or restricts it through stringent regulations.

"The Portland Vase", an ancient Roman glass cameo amphora held in the British Museum, has been a global brand that has resonated with makers, collectors and consumers for centuries, replicated and reinterpreted countless times.

"The Portland Vase", an ancient Roman glass cameo amphora held in the British Museum, has been a global brand that has resonated with makers, collectors and consumers for centuries, replicated and reinterpreted countless times.

Fish become knives, alligators become saws, the artist himself becomes a Nokia phone – John Martin is one of the most fascinating contemporary Black American artists working today. The publication builds an understanding of and appreciation for his unique visual language and work outside of the arts and disability communities.

The fish hook derives its form from its practical intention - to catch a fish. But in cultures where fishing is and always has been a main livelihood, the crafting of fish hooks becomes an art. "Fish Hooks of the Pacific islands Vol. II" completes the extensive and in-depth discourse of the first volume. Together they are the first extensive reference on Pacific fish hooks since the publication of Harry  Beasley’s 1928 Pacific Island Record: Fishhooks, which was printed in ...

This is the first publication to document and contextualise Clark’s large-scale, collaborative art works. These projects demonstrate Clark’s career-long commitment to addressing the urgent issue of racial inequality in U.S. society and her philosophy of creatively engaging the viewer in reflection on the nation’s history of slavery and our roles in dismantling systemic racism today.

Kanishka Raja’s ravishingly patterned work, as the artist put it, “explores the intersection of representation, craft, technology, and the gaps that occur in the transmission of information.” Conceptually heady and aesthetically alluring, Raja’s I and I series combines painting with woven, scanned, printed, embroidered and reproduced counterparts.