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Impressionism
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Cover for Monet and the Impressionist Cityscape
new
Ed. Ralph Gleis et al.
In 1867, Monet (1840–1925) turned his back on tradition when he focused on the bustling life of Paris from the balcony of the Louvre. He was fascinated by the present in the growing French capital rather than the old masters. In a series of three paintings he created a new pictorial topic. The important works from Berlin, Den Haag and Oberlin come together in exhibitions and this lavishly illustrated book.
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29,90 €
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Cover for Secessions
Ed. Ralph Gleis et al.

Secessions

Klimt - Stuck - Liebermann
At the end of the 19th century the term “Secession” stood for the artistic beginnings of modernism. Art was surging forward towards freedom. Avant-garde artists showed their new creative works in the exhibitions of the Secession. In doing so they introduced innovative art movements to the public and helped Impressionism and Symbolism, for example, to achieve a breakthrough in the German-speaking region.
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45,00 €
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Cover for Paul Cézanne
Christoph Wagner

Paul Cézanne

The Great Masters of Art
His paintbrush set everything in motion: the landscape of Provence, the colourful still lifes, his portraits and the picturesque coast of southern France. More than any other artist, Paul Cézanne, the “Father of Modernism”, captured the light and the play of colours of the South in his pictures and lent them through his new pictorial language a liveliness and dynamism which continue to fascinate viewers to this day.
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13,90 €
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Cover for All the Beauty at Hand
Ed. Thomas Zuhr

All the Beauty at Hand

A Brief History of Hirmer Publishers
Founded in 1948, Hirmer Publishers soon established a name for art books produced to the highest standards. Over the past decade they have become equally well-known in English-speaking countries, with a reputation as one of the most prestigious publishers in this field. This survey of English titles from 2010 to 2020 encompasses a wealth of subjects across the centuries, from antiquity to the modern age.  
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14,90 €
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Cover for Édouard Vuillard
Ed. Martin Schwander

Édouard Vuillard

Im Louvre - Bilder für eine Basler Villa / In the Louvre – Paintings for a Basel Villa
In 1921/22 Édouard Vuillard created a cycle of six paintings for the entrance hall of the Villa Bauer in Basel. Four large-format pictures show exhibition rooms in the Louvre from Antiquity to French Rococo painting. Two sopraporte provide an intimate insight into the artist’s art collection.
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39,90 €
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Cover for The Bührle Collection
Lukas Gloor

The Bührle Collection

History, Full Catalogue and 70 Masterpieces
Paul Cézanne, Auguste Renoir, Claude Monet and many others – between 1936 and 1956 the Swiss industrialist Emil Bührle (1890– 1956) assembled an impressive collection around French Impressionism. As the owner of the largest weapons factory in the country he had close links to the historical events of the period from World War II to the Cold War.
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60,00 €
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Cover for MAKING VAN GOGH
Ed. Alexander Eiling et al.
Making van Gogh focuses on the œuvre of Vincent van Gogh in the context of its reception. The publication examines the particular role which German gallerists, collectors, critics and museums played in the story of his success. At the same time it sheds light on the importance of van Gogh as a role model for the avant-garde generation of artists.
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49,90 €
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Cover for Gustave Caillebotte
Ed. Ralph Gleis

Gustave Caillebotte

Painter and Patron of Impressionism
The painting Paris Street, Rainy Day by Gustave Caillebotte (1848–1894) is an icon of Impressionism.This volume presents the work in the context of Caillebotte’s innovative artistic work, introducing him as a driving force in the establishment of Impressionism and describing his intensive exchanges with his fellow-artists.
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25,00 €
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Cover for Innovative Impressions
Ed. Sarah Lees

Innovative Impressions

Prints by Cassatt, Degas, and Pissarro
"Innovative Impressions" explores an under-examined aspect of three Impressionists’ careers: their groundbreaking prints and the new techniques they developed through collaboration and experimentation. In 1879, Mary Cassatt, Edgar Degas, and Camille Pissarro formed the most active core of a group of artists planning a periodical to feature their prints.
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Cover for Towards Impressionism
Ed. Art Centre Basel et al.

Towards Impressionism

Landscape Painting from Corot to Monet
The catalogue of the exhibition to be shown at the Cornell Fine Arts Museum, Winter Park, FL and the Frye Art Museum, Seattle, WA will present a choice selection of 19th century French paintings from the Musée des Beaux-Arts, Reims in order to trace the history of French art from the Romantics to the School of Barbizon, the circle of Honfleur, and up to Impressionism.
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24,90 €
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