The female protagonists of the Portuguese-British artist Paula Rego either come from real life or derive from the world’s great legends, fairy tales and myths. As complicated heroines of our time they have endured illegal abortions or fight against the limitations of traditional gender roles instead of dragons.

Painter, illustrator and graphic artist Paul Rotterdam (b. 1939) is the Austrian member of the New York School, a group of artists whose radical approaches pushed pure abstraction to its very limits. In the late 1960s, Rotterdam moved to the United States in order to acquaint himself with the theory behind these approaches and to apply it to his own works in a practical way.

"Narrative Wisdom and African Arts" explores how historical and contemporary African arts make visible narratives rooted in collective and individual memory and knowledge. Historical works made by artists across sub-Saharan Africa during the thirteenth to twentieth centuries dialogue with contemporary works by African artists working around the globe.

Surrealism revolutionised art with fantastic, radically subjective motifs. As a political and international movement, the artists wanted to change society. The topicality of their ideas enables a fascinating comparison between important pioneers of Surrealism and the following generations of artists.

Sonya Kelliher-Combs was raised in the Northwest Alaska community of Nome. Her work has been shown in numerous individual and group exhibitions in Alaska, the United States and internationally. She offers through her mixed media painting and sculpture a chronicle of the ongoing struggle for self-definition and identity in the Alaskan context.

Sherrie Nickol introduces the work of an artist who tells stories, both intimate and profound, with the click of the shutter. The viewer is taken on a journey through time and place, entering scenes familiar, distant, and always inviting. Through portraiture, Nickol documents the lives of women from an early age as they navigate the world around them.

Wild, free and ephemeral – street art and graffiti are a worldwide phenomenon. From Brassaï, who led graffiti into mainstream art around 1960, via the 'Sprayer of Zurich' in the 1970s to the first Banksy works in the UK – 'Illegal' tells a prehistory of street art and graffiti.

Survival is a common practice. We cannot do it alone; we need each other. We need tools and practices that help us to connect, to understand to build, to survive in this age of climate crisis, technological upheaval, existential pain. We need words and values and ideas that extend beyond the human space. We need to learn; and we need to unlearn. We need a Manual for Survival.

For Hex (b. 1964), found steel objects are often the basic material for his abstract sculptures. With the help of welding equipment, angle grinder, hammer and polishing machine, he creates beautifully shaped and extremely impressive works of art – sometimes small and sometimes monumental. Today, works by him can be found in collections but also in public places worldwide. This book gives an overview of his works of the last 10 years.

Following the merger of three important Winterthur collections to form the Kunst Museum Winterthur, this volume presents the highlights of the three museums for the first time in splendidly illustrated form: from Rembrandt to Caspar David Friedrich to Vincent van Gogh; from Pablo Picasso to Alberto Giacometti; and from Sophie Taueber-Arp to Isa Genzken and Gerhard Richter.