The astonishing work of T. Lux Feininger (1910–2011) – from aquatic worlds to the cosmos of animal and plant life all the way to geometric abstraction, this lavishly illustrated volume provides a multifaceted new approach to the artist. Paintings and drawings, photographs, set designs, and commercial graphic works offer a comprehensive view of the artist and an expression of modern romanticism.  

Play Life Illusion – the retrospective in book form refers to the title of a performance which Xanti Schawinsky developed in 1936 with students at Black Mountain College. The Swiss artist who worked at the Bauhaus in Weimar and Dessau emigrated in the 1930s via Italy to the United States. The volume assembles autobiographical texts and letters regarding the life’s work of the multimedial artist and designer.

With his Fat Cars and Tiny Houses, his sculptures of cucumbers, and sausages, Erwin Wurm (b. 1954) shines a critical spotlight on consumer society’s manipulative mechanisms and their effects. On the occasion of Wurm’s 70th birthday this extensive catalogue  documents all of the important stations of Erwin Wurm’s artistic career to date.

"Narrative Wisdom and African Arts" explores how historical and contemporary African arts make visible narratives rooted in collective and individual memory and knowledge. Historical works made by artists across sub-Saharan Africa during the thirteenth to twentieth centuries dialogue with contemporary works by African artists working around the globe.

Surrealism revolutionised art with fantastic, radically subjective motifs. As a political and international movement, the artists wanted to change society. The topicality of their ideas enables a fascinating comparison between important pioneers of Surrealism and the following generations of artists.

Green-Wood, founded in 1838, was a leader in the Rural Cemetery movement in America. Its 478 acres encompass magnificent grounds, grand architecture and world-class statuary. Throughout four seasons, Bethany Eden Jacobson’s book captures the spirit of this verdant, history-drenched pastoral cemetery.

The photographs collected here represent David Katzenstein’s lifelong artistic journey as a visual chronicler of humanity. Travelling to many parts of the world, he experienced other cultures and peoples first-hand. The photographs presented here were drawn from a much larger body of work, with the hope of creating a journey through journeys for the viewer.

Sherrie Nickol introduces the work of an artist who tells stories, both intimate and profound, with the click of the shutter. The viewer is taken on a journey through time and place, entering scenes familiar, distant, and always inviting. Through portraiture, Nickol documents the lives of women from an early age as they navigate the world around them.

Survival is a common practice. We cannot do it alone; we need each other. We need tools and practices that help us to connect, to understand to build, to survive in this age of climate crisis, technological upheaval, existential pain. We need words and values and ideas that extend beyond the human space. We need to learn; and we need to unlearn. We need a Manual for Survival.

Sensuous, bold and topical – this volume with its varied illustrations studies the entire spectrum of Jewish ideas about sexuality. In doing so it examines widely-held and contradictory stereotypes, according to which Jewish tradition either supports sexuality or restricts it through stringent regulations.