Ernst Ludwig Kirchner regarded the picture and its frame as a unit. Contrary to Kirchner’s intention that they belong together, over the years some paintings were separated from their original frames. In the present publication they are reunited in a remarkable exhibition, allowing us to rediscover a chapter of modernism which has often been overlooked.

In a time like our own, where a young generation feels a great need to change our way of living, thinking and organizing ourselves, the publication on the artist group Brücke feels particularly relevant. These young artists also wanted to renew art and life in the German Empire and have ever since inspired younger generations of artists.

In a time like our own, where a young generation feels a great need to change our way of living, thinking and organizing ourselves, the publication on the artist group Brücke feels particularly relevant. These young artists also wanted to renew art and life in the German Empire and have ever since inspired younger generations of artists.

Art collector, patron and arbiter – Hanna Bekker vom Rath (1893–1983) was a trailblazer for the artistic avant-garde and one of the most important female personalities in Germany during the pre-war and post-war modern periods. She was a friend of Karl Schmidt-Rottluff, Alexej von Jawlensky, Ida Kerkorius and Paul Klee. This lavishly illustrated volume provides a lively picture of a remarkable woman.

The Saint Louis Art Museum is home to one of North America’s largest and most comprehensive collections of German Expressionist paintings. Rediscover a defining movement of modern art through this original study of works by 25 artists who span its famously wide arc.

Many artists share the desire for involvement with the self and their own appearance. In the oeuvre of Egon Schiele, self-portraits occupy a central role. Over a period of many years Schiele recorded himself in various poses and styles. This publication focuses in detail on this crucial and yet often only marginally mentioned aspect of his art.

Lyonel Feininger (1871–1956) was a painter, graphic artist and caricaturist. From 1919 he served as one of the original masters at the Bauhaus in Weimar and later in Dessau. In 1937 he emigrated to New York, where he worked  until the end of his life. In addition to his famous Expressionist images of architecture, the publication presents all the facets of his oeuvre and stations of his life based on the latest research.

Important artists of Hungarian Classical Modernism lived and worked temporarily on the banks of the Spree and were present in the Berlin avant-garde. The publication presents a brilliant overview of the close links between the culture of the Weimar Republic and the creative forces of Hungary, which ended with the seizure of power by the National Socialists.

The youngest member of the Blauer Reiter group was overshadowed for a long time by fellow painters such as Wassily Kandinsky, Franz Marc, August Macke, and Paul Klee. But in recent years, Heinrich Campendonk has enjoyed an unparalleled rediscovery and a new critical assessment of his extensive oeuvre.

Founded in 1948, Hirmer Publishers soon established a name for art books produced to the highest standards. Over the past decade they have become equally well-known in English-speaking countries, with a reputation as one of the most prestigious publishers in this field. This survey of English titles from 2010 to 2020 encompasses a wealth of subjects across the centuries, from antiquity to the modern age.