Ernst Ludwig Kirchner regarded the picture and its frame as a unit. Contrary to Kirchner’s intention that they belong together, over the years some paintings were separated from their original frames. In the present publication they are reunited in a remarkable exhibition, allowing us to rediscover a chapter of modernism which has often been overlooked.

More than any other artist, the painter Rembrandt developed a charisma through the outstanding quality and originality of his works and through the organisation of his workshop. His pupils and successors continued his style as the Rembrandt “brand” with an appeal which has remained unbroken to this day. We ask: Why did Rembrandt’s art affect contemporary painters as well as continuing to attract generations of collectors and present-day viewers?

San Francisco: The Golden Age details the extraordinary development of the Bay Area art scene between 1930 to 1960. During that time, a great museum director, an enlightened patron, and a brilliant art school came together to create an environment that nurtured a host of innovative artists.  

Play Life Illusion – the retrospective in book form refers to the title of a performance which Xanti Schawinsky developed in 1936 with students at Black Mountain College. The Swiss artist who worked at the Bauhaus in Weimar and Dessau emigrated in the 1930s via Italy to the United States. The volume assembles autobiographical texts and letters regarding the life’s work of the multimedial artist and designer.

"Gothic Modern" illuminates the pivotal discovery of medieval Gothic art for Edvard Munch, Käthe Kollwitz and their artist contemporaries. It explores their deep attraction to the Gothic art of Europe’s north and German lands via paintings, prints and in other artistic media to imagine a new ‘Gothic modernity’, unlocking a different energy of modern art and creative experiment beyond nation-centric stories.

"Gothic Modern" illuminates the pivotal discovery of medieval Gothic art for Edvard Munch, Käthe Kollwitz and their artist contemporaries. It explores their deep attraction to the Gothic art of Europe’s north and German lands via paintings, prints and in other artistic media to imagine a new ‘Gothic modernity’, unlocking a different energy of modern art and creative experiment beyond nation-centric stories.

In 1867, Monet (1840–1925) turned his back on tradition when he focused on the bustling life of Paris from the balcony of the Louvre. He was fascinated by the present in the growing French capital rather than the old masters. In a series of three paintings he created a new pictorial topic. The important works from Berlin, Den Haag and Oberlin come together in exhibitions and this lavishly illustrated book.

Energy, optimism, the joy of life: Dietmar Brixy creates works that burst out into the world with luminous colour and dynamism. Paintings with titles such as Happy or Journey invite us to join Brixy on a visual adventure of glorious colour and spirited composition, which he sets off against dark and muted shades. Every picture offers an emotional and exciting discovery, each time in a new way.  

The female protagonists of the Portuguese-British artist Paula Rego either come from real life or derive from the world’s great legends, fairy tales and myths. As complicated heroines of our time they have endured illegal abortions or fight against the limitations of traditional gender roles instead of dragons.

With his Fat Cars and Tiny Houses, his sculptures of cucumbers, and sausages, Erwin Wurm (b. 1954) shines a critical spotlight on consumer society’s manipulative mechanisms and their effects. On the occasion of Wurm’s 70th birthday this extensive catalogue  documents all of the important stations of Erwin Wurm’s artistic career to date.