The principle of wholeness: folding as a means of expression in the art of Peter Weber
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[US]
Peter Weber
Volume 1: Structure and Folding. Volume 2: Catalogue Raisonné 1968-2018
Created in one piece and without cutting the surface, Peter Weber’s works position the phenomenon of folding in the field of vision of their viewers. The entire bandwidth of his oeuvre, extending back over 50 years, is now being compiled and acknowledged in a two-volume catalogue raisonné.
description
After his studies in the Department of Design at the University of Applied Sciences in Hamburg, Peter Weber (*1944) continued to focus his entire attention on the creation of concrete art. His early years as a painter were determined by Op-Art and the imaginary space, but he soon became fascinated by the mathematical diversity of the techniques of folding. In addition to felt and paper the artist also uses materials such as linen, cotton, plastic and steel – always uncut and as a whole. The catalogue raisonné assembles in Volume 1 the seven main work groups with explanatory essays. Volume 2 lists chronologically over 1,700 works from all creative periods.
Details
In stock
English-German edition
2 volumes in a slip-case, 644 pages in total
1,700 colour illustrations
28 x 28 cm, hardcover
2 volumes in a slip-case, 644 pages in total
1,700 colour illustrations
28 x 28 cm, hardcover
ISBN: 978-3-7774-3239-7
Events
München
| Galerie Renate Bender
Ingolstadt
| Museum für Konkrete Kunst
Categories
Art 20th Century
|
Art and Cultural History
|
Arts and Crafts
|
Catalogues Raisonné
|
Contemporary Art
|
Art 21st Century
Keywords
21st century, Sculpture, Contemporary Art
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Bayerstr. 57-59
D-80335 München
mail@hirmerverlag.de
Safety notice according to Art. 9 Paragraph 7 Sentence 2 of the GPSR is not necessary.
